Shutter Island (spoiler free)
February 23rd, 2010All right here’s another review of sorts. Something tells me I’ll have to be careful since Martin Scorsese’s new one involves quite a few spoilers. First the good points- which are very, very good for a movie made past 1999. It is a well directed movie. Scorsese is at the top of his game. He proves not only to be a consumate filmmaker but the consumate film student. Scorsese handily references Hitchcock, John Ford, Preminger, Spielberg and even himself with awesome results. From the opening shot we can sit back and feel secure that we are in the hands of a cinematic master (I tried “cinemaster” but couldn’t take the word seriously, anyway…). The script is tight. I still can’t get over how the most compelling and riveting scenes involve simple conversations between two people. The acting is top notch. It’s an ensemble deal for sure. DiCaprio, Ruffalo, Kingsley and- one of my all time favorites The Exorcist himself, yes- Max Von Sydow deliver believable characters caught in an unnerving scenario. Secondary players like Ted Levine, Elias Koteas and Jackie Earle Haley (what a run that guy’s having!) are flawless as well. It is a visually lush film. It is at once modern but reminiscent of films from a bygone era. The kind they don’t make anymore. Those are the good points of “Shutter Island”. As far as bad points go it’s more like one bad point. Personally I think Scorsese tips his hand a little too early. He does reign things back again, making us question if what’s going on is what’s going on, but once the proverbial cat’s out of the bag it’s hard to put back in. I was hoping that there would be one more twist at the very end but sadly there was none to be found. Nevertheless the movie was well worth the money. The mental maze Scorsese et. al. walk us through is intriguing, frightening and above all entertaining. And hey this is America, isn’t being entertained what it’s all about? Kirk out. I mean, uh, Carl out.